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the line is reduced to a pure and continuous stroke
to reproduce it on the copper plate laid on the table at which the artist sits
con buoni margini da 4 a 6 millimetri tutt’intorno
And the child grew and became strong
KŌRIN FURUYA, Kōrin-style Patterns n. 63, 1897 sculture the line is reduced toStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London:
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