Concrete, mon amour. The raw Imprint of Modernism. Divers domestic embroidery

domestic embroidery

In 1729 he worked as a "canvas painter" at the Château de Chantilly in the service of Louis-Henri

Cahiers d'archéologie biblique

From Sinbad the Sailor to Marco Polo

Concrete, mon amour. The raw Imprint of Modernism. Divers domestic embroideryOnce hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid to late 20th century, which have become a defining subject of Stefano Peregos photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary modernism and the ideals they embody. Whether celebrated landmarks or forgotten